works
installations
1980 : 6×3 ¹
1979 : 1×7 “Balayages” ²
1979 : 3=1 “Autosynthèse” ²
1979 : Espace Iris Trois ²
1979 : Faisceaux Black and Light ²
1979 : Intermittences ²
1976 : Espace Black and Light ³
¹ created for the Biennale de Paris
² created at the Musée National d’Art Moderne – Centre Georges Pompidou, Paris
³ created at the ‘Institute of Contemporary Arts, Londres
plastic photography
2023: Ultima maxima (project in progress)
2019-2023: Monoptychs (digital & composite technique)
2019: Fenêtres sur nuit (hybrid & composite technique)
2017-2018: What for? or “The silences of war” (silver & hybrid technique)
2014-2019 : Traces and Prints (hybrid & composite technique)
2012-2018 : Intangible Lights (hybrid technique)
2017: Venezia: “la Serenissima capovolta” (hybrid & composite technique)
2017: Venezia: “Corrosione serenissima” (hybrid technique)
2012-2017: Originel (hybrid & composite technique)
2012-2014: Infinitesimal immensity (composite technique)
2009-2014: From here or there (hybrid & composite technique)
documentary photography
2015 : White & White (digital photography)
2014-2015 : Emeraude (digital photography)
1979 : Going west (silver-based photographic technique)
1979 : Éclairages publics de Paris ¹ (silver-based photographic technique)
¹ produced with the support of Paris Audiovisuel (City of Paris)
digital graphics
1982 : (…) ¹ (mix of manual and computerized processes)
1982 : ( : : ) ² (mix of manual and computerized processes)
¹ set of 9 compu-grams
² fours sets of 4 compu-grams
computer generated video art
1984 : Spirale (Telidon animation)
1984 : Arcsea (Telidon animation)
1984 : Into (Telidon animation)
1983 : To (Telidon animation)
1980 : Le Vautour (hybrid computer + film + video technique)
1975/76 (2009) : Variations pour un regard (hybrid computing technology)
analog videographic art
1981 : Time Zone (hybride technique)
1979 : Fusion
1976 : Surfaces
experimental film
1978 : Forward
1978: Zèbres (film, made without camera)
1976 : Iris ( unconventional laboratory technique)
1975 : Espaces phase 2
1975: Red Light (camera-less, hybrid computer technique)
1974: Black and Light (camera-less, non-canonical computer technique)
1972/78 : Cinq silences inachevés
1972/74 : Présence ¹
¹ (co-produced with A. Pizzorno)
cinegraphic frames *
1978 : structure-Zèbres
1978 : structure-Iris
1978 : structure-Black and Light
* the “cinegraphic frame” presents the temporal evolution interpreted in two dimensions